The chaperone pbs review2/3/2024 ![]() The movie is slow and doesn’t have a real climax. You’d expect some sort of scandal within that plotline, yet nothing comes of that either. Elsewhere, Louise and her male (married!) dance teacher flirt and seem to have some sort of connection. But nothing really comes of it - there’s no conflict, nothing juicy. In fact, lack of twist seems to be a recurring theme throughout the film.įor instance, Norma is adopted, and the movie spends a lot of time on her search for her biological family in New York. While Norma and Louise’s relationship is sweet at times, the cautious-adult-and-reckless-kid power struggle is a little overdone, and The Chaperone doesn’t exactly put a unique twist on the theme. Norma slaps some reality back in her and tells her to “just get on a train and go!” The film flashes 20 years forward at the end, and Louise is washed up, back in Kansas and doesn’t want to perform anymore. But by the film’s end, Norma is more open and supportive. At first, the chaperone is standoffish and wary of Louise’s crazy and reckless spirit. Seeing Norma’s character development throughout the film is enjoyable. The dance scenes in particular are some of my favorite parts, with Louise twirling and dancing around. The movie’s Jane Austen-esque ambiance is beautiful, with its pastel dresses and light piano music. Her working parents can’t leave Wichita, so Norma Carlisle, a middle-aged woman not content in her marriage, volunteers to accompany her. ![]() Louise gets accepted to study at an elite dance school, but her parents won’t let her attend without a chaperone. With Downton Abbey star Elizabeth McGovern leading, I had high hopes for the flapper-era, coming-of-age movie.īased on a true story, the movie begins in 1922 Wichita, Kansas, where a young dancer, Louise Brooks, wants to chase her dreams of performing. As a huge fan of basically every Masterpiece drama PBS airs ( Downton Abbey, Sherlock, Poldark), I was excited to see the network’s newest project - The Chaperone.
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